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RAM | Rethinking Art and Machine [ca Kitchener, ON]

RAM | Rethinking Art and Machine with Jim Campbell, Alan Rath, Daniel Rozin, Peter Vogel, George Legrady, David Rokeby :: September 15, 2011 - January 22, 2012 :: THEMUSEUM, 10 King Street West, Kitchener, ON N2G 1A3, Canada. Continue reading

Aug 31, 20:09
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Vholoce: Weather Visualizer

Vholoce: Weather Visualizer — a strange and wondrous net-artwork driven by real time weather — by Jason Nelson and Rory Hening.

Aug 31, 17:51
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Aug 31, 16:21
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Sensing Place | Placing Sense [at Linz]

Sensing Place | Placing Sense :: September 3-4, 2011 :: afo architekturforum oberösterreich, Herbert-Bayer-Platz 1, Linz, Austria.

The mental image of the city has become more complex. Since mobile phones have become geo-social devices, location-based data is increasingly shaping the way we navigate, experience and define the urban environment. Media art practices have played an important role in shaping, investigating and problematizing this development. The Symposium and the exhibition will investigate the potential of experimental and artistic forms of inquiry for helping us making sense of the city, and discuss practices that create new public infrastructures and define new places. Continue reading

Aug 31, 16:19
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Live Stage: Unsitely Aesthetics [tr Istanbul]

ISEA Istanbul presents Unsitely Aesthetics: the Reconfiguring of Public Space in Electronic Art — Chair Per­son: Maria Mi­randa; Pre­sen­ters: Bran­don La­Belle, Dar­ren Tofts, Re­nate Ferro, Tim­o­thy Mur­ray :: Sep­tem­ber 17, 2011; 9:00 - 10:30 am :: Sa­banci Cen­ter Room 2, Sa­banci Cen­ter, Lev­ent.

This panel ex­plores the mul­ti­ple and di­verse ways artists are work­ing in pub­lic space within the con­text of net­work cul­ture where being in two places at once, or the su­per­im­pos­ti­tion of real and vir­tual space has be­come the com­mon ex­pe­ri­ence.

With the growth of the in­ter­net and mo­bile tele­phony across the globe we are wit­ness­ing new con­fig­u­ra­tions of pub­lic space and pub­lic cul­ture. Continue reading

Aug 31, 16:05
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Live Stage: Public Art of the Sustainable City [tr Istanbul]

ISEA Istanbul presents Public Art of the Sustainable City — Chair Per­sons: Eliz­a­beth Monoian, Robert Ferry; Pre­sen­ters: Pa­tri­cia Watts, Nacho Zamora, Glen Lowry :: Sep­tem­ber 20, 2011; 9:00 - 10:30 am :: Sa­banci Cen­ter Room 2, Sa­banci Cen­ter, Lev­ent.

This panel dis­cus­sion will ad­dress the con­tin­uum of pub­lic art, clean en­ergy prece­dents, and con­tem­po­rary tech­nolo­gies. Within this frame­work we will out­line and il­lus­trate the po­ten­tial that in­ter­dis­ci­pli­nary teams and com­mu­ni­ties around the world have to ex­pand both the di­a­logue and ac­tual change. As we en­deavor to ex­tri­cate civ­i­liza­tion from fos­sil fuel de­pen­dence, the ex­is­ten­tial de­bate over the pur­pose of art de­serves re­newed at­ten­tion in the con­text of nat­ural ecol­ogy and human con­sump­tion. Continue reading

Aug 31, 15:51
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Live Stage: Site Specifics: Mobile Media Art and the Contexts of Place [tr Istanbul]

ISEA Istanbul presents Site Specifics: Mobile Media Art and the Contexts of Place — Chair Per­son: Chris­tiane Paul; Pre­sen­ters: Tanya Toft, Jack Toolin, Teri Rueb :: Sep­tem­ber 19, 2011; 9:00 - 10:30 am :: Sa­banci Cen­ter Room 4, Sa­banci Cen­ter, Lev­ent.

The panel dis­cusses cat­e­gories of loca­tive, site-spe­cific media art and their im­pact on un­der­stand­ing the con­text of place. Mo­bile com­put­ing po­ten­tially en­ables var­i­ous forms of so­cial in­ter­ac­tion and has to be con­sid­ered in re­la­tion to con­cepts of em­bod­i­ment, the cre­ation of mean­ing, as well as in­di­vid­ual au­ton­omy and agency. Continue reading

Aug 31, 15:33
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Live Stage: La Plissure du Texte [tr Istanbul]

ISEA Istanbul presents La Plissure du Texte — Chair Per­son: Elif Ayiter; Pre­sen­ters: Roy As­cott, Jan Baetens, Elif Ayiter, Max Moswitzer, Selavy Oh :: Sep­tem­ber 17, 2011; 1:00 - 2:30 pm :: Sa­banci Cen­ter Room 1, Sa­banci Cen­ter, Lev­ent.

This panel will un­der­take a close scrutiny of La Plis­sure du Texte, tak­ing into ac­count both its cre­ation in 1983 and its re-cre­ation in 2010, dis­cussing the work in its role as a land­mark of New Media Art His­tory as well as an art work which has shown the ca­pa­bil­ity of re­gen­er­at­ing it­self as an en­tirely novel man­i­fes­ta­tion based upon the con­cepts of dis­trib­uted au­thor­ship, tex­tual mo­bil­ity, emer­gent semi­o­sis, mul­ti­ple iden­tity, and par­tic­i­pa­tory poe­sis. Continue reading

Aug 31, 15:19
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Live Stage: Content | Form | Im-material [at Vienna]

Content | Form | Im-material — Five Years of http://CONT3XT.NET/: Book Launch with an introduction by Tom Waibel :: September 15, 2011; 7:00 - 10:00 pm :: Kunstraum Niederoesterreich, Herrengasse 13, Vienna, Austria

Why is it still easier to get an entire museum collection on the Internet than to get a single work of Internet-based Art in a museum space? As with the nature of this question, both aspects have to be taken into account: the field of Internet-based Art with its characteristics and proponents, as well as the mechanisms that allow institutions to filter what the public at large understands to be art. Continue reading

Aug 31, 14:30
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Heath Bunting and Annet Dekker in Conversation

Conversation between Heath Bunting and Annet Dekker:

“Identity is a construction and we as human beings made it into an entity that consists of something that can possess one or more natural persons and control one or more artificial persons”. Heath Bunting explains where his passion for systems and power structures comes from.

The world of an administrative content provider. About opening spaces, connecting layers and being mobile.

For those unfamiliar with Heath Bunting’s work, it is not immediately obvious what he intends by The System. Its pages, consisting of stark black-and-white spider diagrams, give the impression of an austere post-conceptual practice, but technocratic as this aesthetic may seem, it camouflages a more wayward disposition.’ — Colin Perry on the net artist’s new book “The System,” in Art Monthly, issue 334, March 2010.

Aug 31, 12:26
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Live Stage


calls + opps performance livestage exhibition installation networked mobile writings participatory locative media augmented/mixed reality event new media video interactive public net art conference virtual intervention distributed second life sound political technology narrative festival tactical lecture art + science conversation social networks social games history surveillance dance music workshop mapping urban collaboration live upgrade! reblog activist wearable immersive public/private data architecture platform body collective aesthetics environment systems city identity film visualization culture telematic wireless web 2.0 site-specific place ecology open source webcast tool software text research intermedia space community audio radio nature hybrid 3-D avatar e-literature audio/visual responsive pyschogeography presence interdisciplinary media object interview physical global/ization ubiquitous theory theater biotechnology relational play archive code bioart generative news DIY light robotic place-specific hacktivism synthetic p2p cinema education remix agency interface im/material language live cinema algorithmic labor copyright mashup simulation animation perception image multimedia free/libre software artificial motion tracking voice streaming convergence gift economy reenactment machinima emergence cyberreality webcam glitch tv DJ/VJ censorship ARG nonlinear transdisciplinary tag touch recycle asynchronous fabbing semantic web hypermedia chance synesthesia biopolitics social choreography tangible app gesture forking unconference 1
1 3-D ARG DIY DJ/VJ activist aesthetics agency algorithmic animation app architecture archive art + science artificial asynchronous audio audio/visual augmented/mixed reality avatar bioart biopolitics biotechnology body calls + opps censorship chance cinema city code collaboration collective community conference convergence conversation copyright culture cyberreality dance data distributed e-literature ecology education emergence environment event exhibition fabbing festival film forking free/libre software games generative gesture gift economy glitch global/ization hacktivism history hybrid hypermedia identity im/material image immersive installation interactive interdisciplinary interface intermedia intervention interview labor language lecture light live live cinema livestage locative media machinima mapping mashup media mobile motion tracking multimedia music narrative nature net art networked new media news nonlinear object open source p2p participatory perception performance physical place place-specific platform play political presence public public/private pyschogeography radio reblog recycle reenactment relational remix research responsive robotic second life semantic web simulation site-specific social social choreography social networks software sound space streaming surveillance synesthesia synthetic systems tactical tag tangible technology telematic text theater theory tool touch transdisciplinary tv ubiquitous unconference upgrade! urban video virtual visualization voice wearable web 2.0 webcam webcast wireless workshop writings



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Turbulence Works

These are some of the latest works commissioned by's net art commission program.
A More Subtle Perplex A Temporary Memorial Project for Jobbers' Canyon Built with ConAgra Products A Travel Guide A.B.S.M.L. Ars Virtua Artist-in-Residence (AVAIR) (2007) Awkward_NYC besides, Bonding Energy Bronx Rhymes Cell Tagging Channel TWo: NY Condition:Used Constellation Over Playas Data Diaries Domain of Mount Greylock—Video Portal Eclipse Empire State Endgame: A Cold War Love Story Flight Lines From the Valley of the Deer FUJI spaces and other places Global Direct Google Variations Gothamberg Grafik Dynamo Grow Old Handheld Histories as Hyper-Monuments html_butoh I am unable to tell you I'm Not Stalking You; I'm Socializing iLib Shakespeare (the perturbed sonnet project) INTERP Invisible Influenced iPak - 10,000 songs, 10,000 images, 10,000 abuses iSkyTV Journal of Journal Performance Studies Killbox L-Carrier Les Belles Infidèles look art Lumens My Beating Blog MYPOCKET No Time Machine Nothing Happens: a performance in three acts Nothing You Have Done Deserves Such Praise Oil Standard Panemoticon Peripheral n°2: KEYBOARD Playing Duchamp Plazaville Psychographics: Consumer Survey Recollecting Adams School of Perpetual Training Searching for Michelle/SFM Self-Portrait Shadow Play: Tales of Urbanization of China ShiftSpace Commissions Program Social Relay Mail Space Video Spectral Quartet Superfund365, A Site-A-Day text_ocean The Xanadu Hijack This and that thought. Touching Gravity 2/Tilt Tumbarumba Tweet 4 Action Urban Attractors and Private Distractors We Ping Good Things To Life Wikireuse Without A Trace WoodEar Word Market You Don't Know Me [ openspace ] wilderness []
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