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Live Stage: Uncorporated Subversion [de Berlin]

in/compatible aesthetics symposium: Uncorporated Subversion: Tactics, Glitches, Archeologies with Michael Dieter (au/nl), Jussi Parikka (fi/uk), Julio D’Escrivan (ve/uk) and jon.satrom (us); Moderated by Rosa Menkman (nl) :: February 3, 2012; 4:00 – 5:30 pm :: Auditorium, HKW. Continue reading


Jan 28, 17:16
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Towards a Performative Aesthetics of Interactivity

[Figure 1. Senster on display at the Philips Evoluon, Eindhoven, 1970-1974] Towards a Performative Aesthetics of Interactivity by Simon Penny, Fibreculture Journal #19, 2011: Ubiquity:

“Introduction: As I write this, at the end of 2010, it is sobering to reflect on the fact that over a couple of decades of explosive development in new media art (or ‘digital multimedia’ as it used to be called), in screen based as well as ‘embodied’ and gesture based interaction, the aesthetics of interaction doesn’t seem to have advanced much. Continue reading


Jan 11, 20:36
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Second Nature: Origins and Originality in Art, Science, and New Media

Second Nature: Origins and Originality in Art, Science, and New Media, Rolf Hughes, Jenny Sundén (eds.), Axl Books:

With the practices of art, science and technology increasingly converging, the concepts of origins and originality raise some of the most pressing questions in contemporary research, including issues of agency and accountability, hybridity and identity, intellectual property and oeuvre, intention and authority. These, and a constellation of related philosophical, economic, aesthetic, legislative and political concerns, are today subject to rapid reconfiguration due to the current pace of technological and theoretical change. Second Nature accordingly brings into a productive, interdisciplinary dialogue scholars working at the intersections of art, science and technology. Continue reading


Jan 11, 17:56
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Robert Smithson: An Esthetics of Disappointment on the Occasion of the Art and Technology Show at the Armory

[Deborah Hay, Solo, 1966. Documentation from performance from “9 Evenings: Theatre and Engineering” The 69th Regiment Armory, New York, October 13–22, 1966.] [via Art Agenda]: Continue reading


Dec 11, 15:27
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Live Stage: e pluribus Anonymous: in lulz we trust [us NYC]

[Image: The Aesthetic Face(s) of Anonymous, owni.eu) AMT Lecture Series: Gabriella Coleman – e pluribus Anonymous: in lulz we trust :: November 10, 2011; 5:00 pm :: Parsons New School for Design, Room #1200, 12th Floor, 6 E16th Street, New York City. Continue reading


Nov 10, 12:59
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IMAGINE – Towards an Eco-aesthetics [dk Aarhus]

IMAGINE – Towards an Eco-aesthetics: Fall 2011 program: Exhibitions, debate, workshop & conference :: October 8, 2011 – January 8, 2012 :: The Aarhus Art Building – Centre for Contemporary Art, J. M. Moerks Gade 13, 8000 Aarhus C, Denmark.

This year Aarhus Art Building is presenting a series of exhibitions and discursive events revolving the theme IMAGINE – towards an Eco-Aesthetic, taking a closer look at alliances between art, micro-strategies for improving the world, and models for social activism aimed towards sustainability. Continue reading


Oct 7, 18:48
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Meeting Points 6 [be Brussels]

Meeting Points 6: Locus Agonistes – Practices and Logics of the Civic :: October 2 – December 18, 2011 :: Argos Centre for Art and Media, Werfstraat 13 rue du Chantier, 1000 Brussels, Belgium.

Meeting Points 6: Locus Agonistes – Practices and Logics of the Civic is a transnational multidisciplinary event curated by Okwui Enwezor and initiated by The Young Arab Theatre Fund (Brussels). After its launch in Beirut in April 2011, both KVS and Argos host the second stop of this event that will tour historical cities in the Arab World (Amman) and Europe (Berlin, Athens). Continue reading


Oct 1, 13:53
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Anonymous: Shared Identity in the Era of Global Networks

CuratingYouTube presents: Anonymous: Shared Identity in the Era of Global Networks — Online Exhibition Curated by Sakrowski with support from Ute Fischer:

Anonymous: Shared Identity in the Era of Global Networks attempts to give an overview of the movement of the Internet-activists ‘Anonymous’ through a comparative and aesthetic investigation in the form of a series of video-grids including videos that were made by the activists in the course of their protests activities.

‘Anonymous’ is applying the medium ‘web video’ in order to announce its activities taking place on the Internet and in real space, as well as call for others to participate. Thus, the videos should be seen as an important interface between the Internet and the so-called real world. Continue reading


Sep 30, 17:03
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“Immersion Into Noise” by Joseph Nechvatal

Immersion Into Noise by Joseph Nechvatal, Open Humanities Press:

The noise factor is the ratio of signal to noise of an input signal to that of the output signal. Noise can block or interfere with the meaning of a message in both human and electronic communication. But in Information Theory, noise is still considered to be information.

By refining the definition of noise as that which addresses us outside of our preferred comfort zone, Joseph Nechvatal’s Immersion Into Noise investigates multiple aspects of cultural noise by applying the audio understanding of noise to the visual, architectural and cognitive domains. Nechvatal expands and extends our understanding of the function of cultural noise by taking the reader through the immersive and phenomenal aspects of noise into algorithmic and network contexts, beginning with his experience in the Abside of the Grotte de Lascaux. Continue reading


Sep 25, 15:22
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Manfred Mohr [us NYC]

Manfred Mohr: 1964–2011, Réflexions sur une esthétique programmée :: until October 15, 2011 :: bitforms gallery nyc, 529 West 20th Street, New York City.

It was May 11, 1971 when the Musée d’Art Moderne de la Ville de Paris opened the influential exhibition “Computer Graphics – Une Esthétique Programmée”. A solo exhibition by Manfred Mohr, it featured the first display in a museum of works entirely calculated and drawn by a digital (rather than analog) computer. Revolutionary for its time, these drawings were more than mere curiosities—they signaled a new era of image creation, setting in motion a trajectory of modernism and information aesthetics. Continue reading


Sep 19, 15:31
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1 3-D activist aesthetics agency algorithmic animation app architecture archive ARG art + science artificial asynchronous audio audio/visual augmented/mixed reality avatar bioart biopolitics biotechnology body calls + opps censorship chance cinema city code collaboration collective community conference convergence conversation copyright culture cyberreality dance data distributed DIY DJ/VJ e-literature ecology education emergence environment event exhibition fabbing festival film forking free/libre software games generative gesture gift economy glitch global/ization hacktivism history hybrid hypermedia identity im/material image immersive installation interactive interdisciplinary interface intermedia intervention interview labor language lecture light live live cinema livestage locative media machinima mapping mashup media mobile motion tracking multimedia music narrative nature net art networked new media news nonlinear object open source p2p participatory perception performance physical place place-specific platform play political presence public public/private pyschogeography radio reblog recycle reenactment relational remix research responsive robotic second life semantic web simulation site-specific social social choreography social networks software sound space streaming surveillance synesthesia synthetic systems tactical tag tangible technology telematic text theater theory tool touch transdisciplinary tv ubiquitous unconference upgrade! urban video virtual visualization voice wearable web 2.0 webcam webcast wireless workshop writings

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Networked Performance (N_P) is a research blog that focuses on emerging network-enabled practice.
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Turbulence Works

These are some of the latest works commissioned by Turbulence.org's net art commission program.
[ openspace ] wilderness [meme.garden] A More Subtle Perplex A Temporary Memorial Project for Jobbers' Canyon Built with ConAgra Products A Travel Guide A.B.S.M.L. Ars Virtua Artist-in-Residence (AVAIR) (2007) Awkward_NYC besides, Bonding Energy Bronx Rhymes Cell Tagging Channel TWo: NY Condition:Used Constellation Over Playas Data Diaries Domain of Mount GreylockVideo Portal Eclipse Empire State Endgame: A Cold War Love Story Flight Lines From the Valley of the Deer FUJI spaces and other places Global Direct Google Variations Gothamberg Grafik Dynamo Grow Old Handheld Histories as Hyper-Monuments html_butoh I am unable to tell you I'm Not Stalking You; I'm Socializing iLib Shakespeare (the perturbed sonnet project) INTERP Invisible Influenced iPak - 10,000 songs, 10,000 images, 10,000 abuses iSkyTV Journal of Journal Performance Studies Killbox L-Carrier Les Belles Infidles look art Lumens My Beating Blog MYPOCKET No Time Machine Nothing Happens: a performance in three acts Nothing You Have Done Deserves Such Praise Oil Standard Panemoticon Peripheral n2: KEYBOARD Playing Duchamp Plazaville Psychographics: Consumer Survey Recollecting Adams School of Perpetual Training Searching for Michelle/SFM Self-Portrait Shadow Play: Tales of Urbanization of China ShiftSpace Commissions Program Social Relay Mail Space Video Spectral Quartet Superfund365, A Site-A-Day text_ocean The Xanadu Hijack This and that thought. Touching Gravity 2/Tilt Tumbarumba Tweet 4 Action Urban Attractors and Private Distractors We Ping Good Things To Life Wikireuse Without A Trace WoodEar Word Market You Don't Know Me
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