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“How to Look at Artist Networks” by Angie Waller Commission: How to Look at Artist Networks by Angie Waller, with Jonathan Butterick:

How to Look at Artist Networks allows you to search 60,280 names in the Google Knowledge Graph to see if they are more closely connected to Marcel Duchamp or Pablo Picasso. Fame has muddied their differences, but not too long ago Duchamp and Picasso signified two distinct strains of artistic practice. Pointing to the two of them as the progenitors of all modern/post-modern art can introduce amusing, and hopefully enlightening, associations: for instance, you might find yourself contemplating the similarities between Sarah Palin’s and Duchamp’s practices. Continue reading

Sep 30, 09:07
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Krewe Coumbite & Muthi Reed

Peace! … I want you to know about new work. Your insight and any references you suggest I explore, are invaluable to my process of planning and actualization. Thank you in advance.

Krewe Coumbite is a sonic instrument of study in Black and Indigenous Diasporas ecology and vernacular rhythms documented from 1940s til current. The work focuses specifically on vernacular of cultural musings expressed in: noise, chants, stories, lullabies, narratives around naming, Cultural sayings/proverbs/recipes, and in working-class rituals such as public transit, migration, service work, and in community gatherings. Continue reading

Sep 24, 09:29
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The Mother of All Video Chats: A Hole in Space LA-NY (1980)

In 1980, artists Kit Galloway and Sherrie Rabinowitz created a Hole in Space by linking bigger-than-life displays in New York and LA with a satellite feed. Related >> and >>

Jul 8, 18:38
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Materializing Six Years: Lucy R. Lippard and the Emergence of Conceptual Art

Materializing Six Years: Lucy R. Lippard and the Emergence of Conceptual Art; Edited by Catherine Morris and Vincent Bonin; Preface by Lucy R. Lippard:

In 1973 the critic and curator Lucy R. Lippard published Six Years, a book with possibly the longest subtitle in the bibliography of art: The dematerialization of the art object from 1966 to 1972: a cross-reference book of information on some esthetic boundaries: consisting of a bibliography into which are inserted a fragmented text, art works, documents, interviews, and symposia, arranged chronologically and focused on so-called conceptual or information or idea art with mentions of such vaguely designated areas as minimal, anti-form, systems, earth, or process art, occurring now in the Americas, Europe, England, Australia, and Asia (with occasional political overtones) edited and annotated by Lucy R. Lippard. Continue reading

Sep 25, 10:19
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Mainframe Experimentalism: Early Computing and the Foundations of the Digital Arts

Mainframe Experimentalism: Early Computing and the Foundations of the Digital Arts, Hannah B Higgins (Editor), Douglas Kahn (Editor), University of California Press:

Mainframe Experimentalism challenges the conventional wisdom that the digital arts arose out of Silicon Valley’s technological revolutions in the 1970s. In fact, in the 1960s, a diverse array of artists, musicians, poets, writers, and filmmakers around the world were engaging with mainframe and mini-computers to create innovative new artworks that contradict the stereotypes of “computer art.” Juxtaposing the original works alongside scholarly contributions by well-established and emerging scholars from several disciplines, Mainframe Experimentalism demonstrates that the radical and experimental aesthetics and political and cultural engagements of early digital art stand as precursors for the mobility among technological platforms, artistic forms, and social sites that has become commonplace today. Continue reading

Sep 23, 11:02
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“The Last Pictures” by Trevor Paglen

The Last Pictures by Trevor Paglen — an ultra-archival disc of images capable of lasting in space for billions of years:

In 1963 NASA launched the first communications satellite “Syncom 2″ into a geosynchronous orbit over the Atlantic Ocean. Since then, humans have slowly and methodically added to this space-based communications infrastructure. Currently, more than 800 spacecraft in geosynchronous orbit form a man-made ring of satellites around Earth at an altitude of 36,000 kilometers. Most of these spacecraft powered down long ago, yet continue to float aimlessly around the planet. Geostationary satellites are so far from earth that their orbits never decay. Continue reading

Aug 29, 16:35
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Illusions in Motion: Media Archaeology of the Moving Panorama and Related Spectacles

Illusions in Motion: Media Archaeology of the Moving Panorama and Related Spectacles by Erkki Huhtamo, MIT Press:

Beginning in the late eighteenth century, huge circular panoramas presented their audiences with resplendent representations that ranged from historic battles to exotic locations. Such panoramas were immersive but static. There were other panoramas that moved–hundreds, and probably thousands of them. Their history has been largely forgotten. In Illusions in Motion, Erkki Huhtamo excavates this neglected early manifestation of media culture in the making. The moving panorama was a long painting that unscrolled behind a “window” by means of a mechanical cranking system, accompanied by a lecture, music, and sometimes sound and light effects. Showmen exhibited such panoramas in venues that ranged from opera houses to church halls, creating a market for mediated realities in both city and country. Continue reading

Jul 28, 19:45
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“The SKOR Codex” by La Société Anonyme

The SKOR Codex is a printed book which will be sent to different locations on earth in the year 2012. It contains binary encoded image and sound files selected to portray the diversity of life and culture at the Foundation for Art and Public Domain (SKOR), and is intended for any intelligent terrestrial life form, or for future humans, who may find it. The files are protected from bitrot, software decay and hardware failure via a transformation from magnetic transitions on a disk to ink on paper, safe for centuries. Instructions in a symbolic language explain the origin of the book and indicate how the content is to be decoded. Continue reading

Jul 22, 16:05
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“Interfaces” of Art and Cybernetics [uk Berkshire]

From Utopian Teleologies to Sporadic Historiographies: “Interfaces” of Art and Cybernetics :: April 11-13, 2012 :: 39th Annual AAH Conference, University of Reading, Berkshire, United Kingdom of Great Britain and Northern Ireland :: Call for Papers — Deadline: November 12, 2012.

It has been more than six decades since cybernetics was introduced to the English-speaking world by Norbert Wiener, Claude Shannon, and Warren Weaver. Stimulated by the information explosion in the 195Os, it grew as an international phenomenon that challenged disciplinary boundaries and preconceptions. Continue reading

Jul 20, 16:02
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Live Stage: Prompts & Triggers, Qiu Zhijie [nl Rotterdam]

[Qiu Zhijie, "Map of Utopia," 2012. Courtesy of the artist] Prompts & Triggers, Qiu Zhijie, Blueprints (2012) :: June 28 - August 19, 2012 :: Opening: June 28; 5:00 - 8:00 pm :: Witte de With | Center for Contemporary Art, Witte de Withstraat 50, 3012 BR Rotterdam, The Netherlands.

For the second edition of Prompts & Triggers, Qiu Zhijie (b. 1969, Fujian), one of China’s most versatile artists, draws from major political and historical narratives to produce large-scale, ink-based maps. From Confucianism to Enlightenment, Qiu Zhijie charts new paths, centers, nodes, and relationships, scrutinizing the mutable boundaries that outline histories of world thought. Continue reading

Jun 25, 13:47
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calls + opps performance livestage exhibition installation networked mobile writings participatory locative media augmented/mixed reality event new media video interactive public net art conference virtual intervention distributed second life sound political technology narrative festival tactical lecture art + science conversation social networks social games history surveillance dance music workshop mapping urban collaboration live upgrade! reblog activist wearable immersive public/private data architecture platform body collective aesthetics environment systems city identity film visualization culture telematic wireless web 2.0 site-specific place open source ecology webcast tool software text research intermedia space community audio radio nature hybrid 3-D avatar e-literature audio/visual responsive pyschogeography presence interdisciplinary media object interview physical global/ization ubiquitous theory theater biotechnology relational play archive code bioart generative news DIY light robotic place-specific hacktivism synthetic p2p cinema education remix agency interface im/material language live cinema algorithmic labor copyright mashup simulation animation perception image multimedia free/libre software artificial motion tracking voice streaming convergence gift economy reenactment machinima emergence cyberreality webcam glitch tv DJ/VJ censorship ARG nonlinear transdisciplinary tag touch recycle asynchronous fabbing semantic web hypermedia chance synesthesia biopolitics social choreography tangible app gesture forking unconference 1
1 3-D ARG DIY DJ/VJ activist aesthetics agency algorithmic animation app architecture archive art + science artificial asynchronous audio audio/visual augmented/mixed reality avatar bioart biopolitics biotechnology body calls + opps censorship chance cinema city code collaboration collective community conference convergence conversation copyright culture cyberreality dance data distributed e-literature ecology education emergence environment event exhibition fabbing festival film forking free/libre software games generative gesture gift economy glitch global/ization hacktivism history hybrid hypermedia identity im/material image immersive installation interactive interdisciplinary interface intermedia intervention interview labor language lecture light live live cinema livestage locative media machinima mapping mashup media mobile motion tracking multimedia music narrative nature net art networked new media news nonlinear object open source p2p participatory perception performance physical place place-specific platform play political presence public public/private pyschogeography radio reblog recycle reenactment relational remix research responsive robotic second life semantic web simulation site-specific social social choreography social networks software sound space streaming surveillance synesthesia synthetic systems tactical tag tangible technology telematic text theater theory tool touch transdisciplinary tv ubiquitous unconference upgrade! urban video virtual visualization voice wearable web 2.0 webcam webcast wireless workshop writings



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Turbulence Works

These are some of the latest works commissioned by's net art commission program.
A More Subtle Perplex A Temporary Memorial Project for Jobbers' Canyon Built with ConAgra Products A Travel Guide A.B.S.M.L. Ars Virtua Artist-in-Residence (AVAIR) (2007) Awkward_NYC besides, Bonding Energy Bronx Rhymes Cell Tagging Channel TWo: NY Condition:Used Constellation Over Playas Data Diaries Domain of Mount Greylock—Video Portal Eclipse Empire State Endgame: A Cold War Love Story From the Valley of the Deer FUJI spaces and other places Global Direct Google Variations Gothamberg Grafik Dynamo Grow Old Handheld Histories as Hyper-Monuments html_butoh I am unable to tell you I'm Not Stalking You; I'm Socializing iLib Shakespeare (the perturbed sonnet project) INTERP Invisible Influenced iPak - 10,000 songs, 10,000 images, 10,000 abuses iSkyTV Journal of Journal Performance Studies Killbox L-Carrier Les Belles Infidèles look art Lumens My Beating Blog MYPOCKET No Time Machine Nothing Happens: a performance in three acts Nothing You Have Done Deserves Such Praise Oil Standard Panemoticon Peripheral n°2: KEYBOARD Playing Duchamp Plazaville Psychographics: Consumer Survey Recollecting Adams School of Perpetual Training Searching for Michelle/SFM Self-Portrait Shadow Play: Tales of Urbanization of China ShiftSpace Commissions Program Social Relay Mail Space Video Spectral Quartet Superfund365, A Site-A-Day text_ocean The Xanadu Hijack This and that thought. Touching Gravity 2/Tilt Tumbarumba Tweet 4 Action Urban Attractors and Private Distractors We Ping Good Things To Life Wikireuse Without A Trace WoodEar Word Market You Don't Know Me [ openspace ] wilderness []
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