Eduardo Navas is the author of Remix Theory: The Aesthetics of Sampling ( Springer, 2012). He is co-editor of The Routledge Companion to Remix Studies (Routledge, 2015). He implements methodologies of cultural analytics and digital humanities to research the crossover of art and media in culture. His production includes art & media projects, critical texts, and curatorial projects. He has presented and lectured about his work and research internationally. Navas currently researches and teaches principles of cultural analytics and digital humanities in The School of Visual Arts at The Pennsylvania State University, PA. Navas is a 2010-12 Post Doctoral Fellow in the Department of Information Science and Media Studies at the University of Bergen, Norway. He is an affiliated researcher at the Software Studies Lab, Cuny (2010-present). He received his Ph.D. from the Program of Art History, Theory, and Criticism at the University of California in San Diego.
- Remix and the Rouelles of Media ProductionMette Birk & Mark O’ Cúlár & Owen Gallagher & Eli Horwatt & Martin Leduc & Eduardo Navas & Tara ZepelNetworkedJason Freeman & Anne Helmond & Patrick Lichty & Anna Munster & Kazys Varnelis & Marcos Deseriis & Gregory L. Ulmer & Owen Gallagher & Mette Birk & Mark O’ Cúlár & Martin Leduc & Eduardo Navas & Yasmine Abbas & Nathaniel Stern